In 2012, I won the first Chemistry World science communication competition for my piece about using lasers to remotely detect methane gas in mines, reducing the risk of disastrous explosions. Having previously worked with lasers for my research, I was aware that 2012 was the 50th anniversary of the invention of the diode laser. Choosing this topic gave me the chance to learn about interesting contemporary applications of lasers in physical chemistry. Emily Stephens, the 2012 runner-up, wrote about gene doping - a topic that was linked to the London Olympic Games, which were of course one of that year's major events. For both of us, writing about a topical subject with a human angle turned out well.
The theme of this year's competition is chemistry and art. Philip Ball has recently written a post nicely outlining why he thinks chemistry lends itself particularly well to the arts. I might propose extending this idea further to include the performing arts too.
There is a long history of presenting science on the stage. Christopher Marlowe's audacious Doctor Faustus, who dabbled in alchemy and the occult, could perhaps be considered one of the early representations of a scientist in theatre. In more recent times, Carl Djerassi - chemist, novelist and dramatist - is known for depicting chemists in his plays. Last year, issues in contemporary science were raised at the National Theatre when the human side of a big pharma drug trial was portrayed in Lucy Prebble's . And next month Britain's second most important 'RSC', the Royal Shakespeare Company, will premiere a play about J Robert Oppenheimer, the scientist whose Harvard chemistry degree eventually propelled him to a leading role in the Manhattan Project.
As this resurgence in science plays demonstrates, a performance can provide an engaging way of communicating scientific ideas. The Chemistry World competition now includes a second round of judging where shortlisted entrants are asked to present their piece in a format other than writing. It would be great if one of this year's finalists considered presenting their topic to the judges with a performance or a play - after all, good science communication can work just as well on the stage as it does on the page.
Chris Sinclair holds an MSci in physics from Durham University and a PhD in laser cooling from Imperial College. He works at University College London where he conducts research in medical imaging. Chris writes about science and theatre.
If you are passionate about science and science communication, the 2014 Chemistry World science communication competition on the topic of chemistry and art offers a fantastic opportunity to demonstrate your skill, win £500 and be published in Chemistry World.
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